| Albeniz | Iberia Book 1 |
| J S Bach | Partita No 5 & No 6 French Suite English Suite Italian Concerto Selections from Well-Tempered Clavier |
| Bela Bartok | Romanian Dances Toccata Out of doors suite |
| Ludwig Beethoven | Sonata in C Major Op 2, No 3 Sonata in F Major Op 10, No 2 Sonata in D Major Op 10, No 3 Sonata in C minor Op 13 “Pathetique” Sonata in E Flat Major Op 27, No 1 Sonata in C# minor Op 27 No 2 “Moonlight” Sonata in C Major Op 53 “Waldstein” Sonata in F minor Op 57 “Appassionata” Sonata in E Flat Major Op 81a “Les Adieux” Sonata in A Major Op 101 Sonata in A Flat Major Op 110 32 Variations in C minor |
| Richard Rodney Bennett | Excursions |
| Johannes Brahms | Fantasie Op 116 Intermezzi Op 117 Paganini Variations Op 35 Six pieces Op 118 |
| Busoni (J S Bach) | Chorale Preludes Chaconne |
| Elliot Carter | Night Fantasy |
| Chopin | Andante Spianato & Grand Polonaise brillante Op 22 Complete Ballades Barcarolle Op 50 Etudes Op 10 & 25 Impromptu No 4 in C sharp minor Op 66 Mazurkas Op 33 Nocturne No 7, 13, 14, 16, 18, 19, 20 Polonaise- Fantasy Op 61 Polonaise No 5 Preludes No 13 - 24 Scherzo No 2 in B Flat minor Op 31 Sonata No 2 in B flat minor Op 35 Sonata No 3 in B minor Op 58 Selections of Waltzes |
| Debussy | Arabesque No 1 Selections of Etudes Selections of Preludes Reflets dans l’eau |
| Cesar Frank | Prelude, Chorale & Fuga |
| Gluck | Variations |
| Granados | Valse Poetic |
| Gubaidulina | Chaconne |
| Haflidi Hallgrimsson | Homage to Mondrian I & II |
| Brian Harrington | Inner Voice (1998) |
| Joseph Haydn | Sonata in E minor Hob: XVI. 34 Sonata in C Hob XVI/48 Sonata in E-flat Hob XVI/52 |
| Leo Janacek | Sonata X 1905 “From the street” |
| Ligeti | Etude No 2 Cordes à vide No 6 Automne à Varsovie |
| Franz Liszt | Ballade No 2 Concert-Etude “Waldesrauschen” Concert-Etude “Gnomen-Reigen” Consolations Dante Sonata Funerailles Hungarian Rhapsody No 2, No 6, No 12 Meiphisto Waltz No 1 Nocturne No 3 “Liebestraume” Paganini-Etude No 2 & No 6 “La Campanella” Tarantella Transcendental Meditations No 4, No 5 & No 8 Transcription of songs (Schubert) |
| Lutoslawski | Paganini Variations for two pianos |
| Mendelssohn | Selections from Songs without words |
| A Mozart | Sonata in D Major K 311 Sonata in B flat Major K 333 Sonata in C Major K 545 |
| Mussorgsky | Picture Exhibition |
| Sergei Prokofiev | Sarcasms Op 9 Suggestion diabolique Sonata in D minor No 2 Op 14 (1912) |
| Sergeo Rachmaninoff | Op 3 Five piece Etude-tableaux Op 39 No 5 & 6 Selection of Preludes Sonata No 2 in B Flat minor Variation on a theme of Corelli |
| Ravel | Jeux d’eau Le Tombeau de Couperin Miroirs Valses nobles et sentimentales |
| Saint-Saens | Etude & Waltz No 6 |
| D Scarlatti | Selections of Sonatas |
| Franz Schubert | Drei Klavierstucke D 946 Impromptus Op 90 Six Moment Musicaux Op.94 D.780 Sonata in A minor Op 164 |
| Robert Schumann | Papillon Op 2 Carnival Op 9 Symphonic Etudes Op 13 Kinderszenen Op 15 Kreisleriana Op 16 Fantasy Op 17 Arabesque Op 18 Geistvariation |
| Scriabin | Etude Op2 No 2 Etude Op 8 No 2 Etude Op 8 No 8 Selections of Valse Sonata No 2 Sonata No 4 |
| Rodrin Schedrin | Introduction & Races (from Anna Karenina) |
| Alfred Schnittke | Improvisation & Fugue (1965) |
| Malcolm Singer | Toccata (2001) |
| Beethoven | Concerto No 1, 3, 4 & 5 Triple Concerto |
| Chopin | Concerto No 2 |
| Frank | Symphonic Variations |
| Grieg | Concerto in A minor |
| Janacek | “Capriccio” |
| Mendelssohn | Concerto No 1 in G minor Double Concerto |
| Messiaen | Un vitrail et des oiseaux” |
| Mozart | Concerto K 449, K 450, K 467, K 488 |
| Prokofiev | Concerto No 3 |
| Rachmaninoff | No 1 & Paganini Rhapsody |
| Saint-Saens | Concerto No 2 in G minor |
| Schumann | Piano Concerto |
| The Yellow River Piano Concerto |
Qian Will be performing Chopin Piano Concerto No. 2 with the European Union Orchestra at the Jersey Opera House on 13th May
“Her fiery attack of Kreisleriana’s fugue and the work’s wraith-like endi6ng are splendidly realised.” Gramophone Magazine
"The Chinese pianist starts her first recital disc with a confidently, unmannered reading of Schumann’s Kreisleriana.” The Times
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